在爱丽舍宫，总统目睹了他的卫生部长自杀……这是一个精彩且充满波折的政治寓言故事，由拉希达·布拉克尼（Rachida Brakni）、蒂埃里·诺维奇（Thierry Neuvic）和理查德·贝里（Richard Berry）共同演绎。一天晚上，在爱丽舍宫的私人寓所里，极受欢迎的卫生部长弗雷德里克·达勒姆（Frédéric Dalème）在与总统进行了一场激烈的讨论后，开枪自杀。

The star journalist of a major French daily, also a professor at a prestigious school, investigates a call-girl affair which leads him to discover another, a network of false invoices, which involves a key member of the French government.

本作はとあるパーティに出かけた一組の夫婦が、大勢の人々でにぎわう会場でえたいの知れない狂気に包まれていくホラー。

Brazil has a long tradition of coup d'états. These coups would have not been viable without the support of the big media, particularly TV Globo. Two Brazilian journalists in the UK reveal the manipulative tactics of these organisations.

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A democracy should protect its most vulnerable citizens, but increasingly the United States is failing to do so. This investigation blends the insights of experts with the experiences of citizens of the Rust Belt in the Midwest where the steel industry once flourished, but where closures and outsourcing have left urban areas desolate. It is here where Donald Trump finds some of his most fervent supporters.

When a threat looms over Clermont-Ferrand, a state of emergency is declared to summon the city’s elite undercover agents. Their mission: converge on Place de Jaude, the heart of the city, to devise a plan against the imminent danger. The film follows these agents as they race against time, using the most unconventional and unexpected means of transport to reach the rendez-vous as fast as possible.

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Friendship, Dialogues (silences) is a conversation between ideas (present and missing) in contemporary materialist film; here, the impersonal documentary conceives itself to be an artifact of its past anarchic potential; this is the trajectory of attention, recursion, and transformation. Wherever there is a limitation imposed, there is always an implied area beyond the limit; this is the nature of the pact between parallels: if ever they should meet, it would be where endlessness concludes; the path is labyrinthine and ruinous. On image, text, sound (otherwise and beyond): they are empty except for what they perceive to grasp in the other; they model consent for attention as well as inattention; they are a concrete reality of each other in absentia; ‘I hear what I read, and I see what I read!’ “There is no friendship where distance is not kept and respected.” (Simone Weil)